La Oreja de Van Gogh

La Oreja de Van Gogh (literally The Ear of Van Gogh) is a Spanish pop band from Donostia- San Sebastian. The band was formed under the provisional name Los Sin Nombre (The Nameless) in 1996 by four college students: Xabi San Martín (keyboard), Pablo Benegas (guitar), Álvaro Fuentes (bass guitar) and Haritz Garde (drums). They recorded covers of songs from international rock bands, such as U2, Pearl Jam and Nirvan. usually with San Martín providing lead vocals.

As they begun to write songs, the band wanted to recruit a female lead vocalist. They met Amaia Montero at a friend’s party, and after listening to her sing, Benegas convinced her to join the group. She subsequently became the lead singer and frontwoman of the band. After several meetings in local cafés, Montero suggested La Oreja de Van Gogh (Van Gogh’s Ear) as the definitive name of the band, inspired by the story of Vincent Van Gogh severing one of his ears.

The band first rose to prominence when it won a local pop-rock music festival in San Sebastian, giving the group the chance to record a 4-song EP This encouraged the band to send some of their songs to major record companies, with Sony Music scout Jennifer Ces being the first one interested in the band after listening to only one of the band’s songs. She urged them to send her more of their songs to see if they had enough material for an album. After composing and submitting over 20 tracks in a very short period of time, Ces reacted very positively and signed the band to Epic Records, a subsidiary of Sony. Manolo Moreno, one of Epic’s managers at the time, reportedly said after listening to some of the band’s material: “This is the new Mecano”.

In 1998, La Oreja de Van Gogh released its debut album Dile al sol (Tell the Sun), earning praise from contemporary critics and performing well in the Spanish. The album sold more than 800,000 copies and was certified 7-time platinum, and the band received an Ondas Award for Best New Act. The success of the band was further increased with the release of El viaje de Copperpot (Copperpot’s Journey, a reference to the character Chester Copperpot from the movie The Goonies) in 2000.

Their third album ‘Lo que te conte mientras te hacias la dormida’ (What I Told You While You Pretended to Be Asleep) in 2003. Both albums were produced by Nigel Walker and managed to sell more than 2 million copies worldwide each, establishing La Oreja de Van Gogh as one of the most popular bands in Spain as well as in Latin America. El viaje de Copperpot was certified diamond in Spain for shipments of over 1,000,000, and the singles “La Playa” (“The Beach”), “Puedes Cotar Conmigo” (“You Can Count on Me”) and “Rosas” (“Roses”), amongst others, were international hits in most Spanish-speaking countries.

In 2006, the band released what would be its fourth and last studio album with Amaia Montero. Guapa (Beautiful) was the best-selling album of 2006 in Spain and won a Latin Grammy for Best Pop Album by a Duo or Group and an award for Best Spanish Album. Singles “Muneca de Trapo” (“Rag Doll”) and “Dulce Locura” (“Sweet Madness”) were also very successful, peaking at number 1 in many charts, including Mexico and Argentina.

Late in the same year, the band re-released the album as a new edition called Mas Guapa (More Beautiful), which included a second CD with tracks made for but cut from all of the band’s albums since 1998, including both unreleased songs and some alternative versions of previously-released tracks. One of the former was released as a single, “En Mi Lado del Sofá” (“On My Side of the Sofa”), which has since become La Oreja de Van Gogh’s last single before changing its line-up.

n 2007, Amaia Montero left the group and Xabi, Pablo, Álvaro and Haritz held an audition looking for a new vocalist. In July 2008 they presented Leire Martinez as the new vocalist and the new song “El Último Vals” as the first single of their new album A las cinco en el Astoria (At Five O’Clock At the Astoria). Their next studio album was Cometas porel cielo (Kites in the sky), released in 2011, with the first single sharing the name of the album.

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