“Fairytale of New York” is a song written by Jem Finer and Shane MacGowan and recorded by their London-based band the Pogues, featuring English singer-songwriter Kirsty MacColl on vocals. The song is an Irish folk-style ballad and was written as a duet, with the Pogues’ singer MacGowan taking the role of the male character and MacColl playing the female character. It was originally released as a single on 23 November 1987 and later featured on the Pogues’ 1988 album ‘If I Should Fall from Grace with God’.
Although there is agreement among the band that “Fairytale of New York” was first written in 1985, the origins of the song are disputed. MacGowan insisted that it arose as a result of a wager made by the Pogues’ producer at the time, Elvis Costello, that the band would not be able to write a Christmas hit single, while the Pogues’ manager Frank Murray has stated that it was originally his idea that the band should try to write a Christmas song as he thought it would be “interesting”. Banjo player Finer came up with the melody and the original concept for the song, involving a sailor in New York looking out over the ocean and reminiscing about being back home in Ireland. Finer’s wife Marcia did not like the original seafaring story, and suggested new lyrics regarding a conversation between a couple at Christmas. Finer told NME, “I had written two songs complete with tunes, one had a good tune and crap lyrics, the other had the idea for ‘Fairytale’ but the tune was poxy, I gave them both to Shane and he gave it a Broadway melody, and there it was”.
The Pogues began recording again in early 1987 to start work on their third album, now with Steve Lillywhite producing. A new demo of “Fairytale of New York” was recorded at London’s Abbey Road Studios in March 1987, with MacGowan singing both the male and female roles. However, it was not until the third set of recording sessions in August 1987 that it was suggested that Lillywhite take the track back to his home studio and let his wife Kirsty MacColl lay down a new guide vocal for the song. Having worked on her vocals meticulously, Lillywhite brought the recording back to the studio where the Pogues were impressed with MacColl’s singing and realised she would be the ideal voice for the female character in the song. MacGowan later said, “Kirsty knew exactly the right measure of viciousness and femininity and romance to put into it and she had a very strong character and it came across in a big way… In operas, if you have a double aria, it’s what the woman does that really matters. The man lies, the woman tells the truth.” MacGowan re-recorded his vocals alongside the tape of MacColl’s contribution (the duo never recorded the song together in the studio) and the song was duly completed with the addition of a harp played by Siobhan Sheahan and horns and a string section.
The video for the song was directed by Peter Dougherty and filmed in New York during a bitterly cold week in November 1987. The video opens with MacGowan sitting at a piano as if playing the song’s opening refrain: however, as MacGowan could not actually play the instrument, the close-up shot featured the hands of the band’s pianist Fearnley wearing MacGowan’s rings on his fingers. Part of the video was filmed inside a real police station on the Lower East Side. Actor Matt Dillon plays a police officer who arrests MacGowan and takes him to the cells. Dillon recalled that he had been afraid to handle MacGowan roughly, and had to be encouraged by Dougherty and MacGowan to use force. MacGowan and the rest of the band were drinking throughout the shoot, and the police became concerned about their increasingly rowdy behaviour in the cells. Dillon, who was sober, had to intervene and reassure the police that there would be no problems.
The chorus of the song includes the line “The boys of the NYPD choir still singing ‘Galway Bay'”. In reality, the NYPD does not have a choir, the closest thing being the NYPD Pipes and Drums who are featured in the video for the song. The NYPD Pipes and Drums did not know “Galway Bay” and so sang a song that all of them knew the words to – the “Mickey Mouse March”. The footage was then slowed down and shown in brief sections to disguise the fact the Pipes and Drums were singing a different song. Murray recalled that the Pipes and Drums had been drinking on the coach that brought them to the video shoot, and by the time they arrived they were more drunk than the band, refusing to work unless they were supplied with more alcohol.
Although the single has never been the UK Christmas number one, being kept at number on its original release in 1987 by the Pet Shop Boys’ cover of “Always on my Mind”, it has proved enduringly popular with both music critics and the public: to date, the song has reached the UK Top 20 on twenty separate occasions since its original release in 1987, including every year at Christmas since 2005. As of September 2017, it had sold 1.2 million copies in the UK, with an additional 249,626 streaming equivalent sales, for a total of 1.5 million combined sales. In December 2022, the song was certified quintuple platinum in the UK for 3 million combined sales. In the UK, “Fairytale of New York” is the most-played Non-Carol Christmas song of the 21st century. It is frequently cited as the best Christmas song of all time in various television, radio, and magazine-related polls in the UK and Ireland, including the UK television special on ITV in December 2012 where it was voted The Nation’s Favourite Christmas Song.
