Mamoru Fujisawa. known professionally as Joe Hisaishi, is a Japanese composer, musical director, conductor and pianist, known for over 100 film scores and solo albums dating back to 1981. Hisaishi’s music has been known to explore and incorporate different genres, including minimalist, experimental electronic, Western classical, and Japanese classical. He has also worked as a music engraver and arranger. He has been associated with director and animator Hayao Miyazaki since 1984, having written scores for all but one of Miyazaki’s films. He is also recognised for his music for filmmaker ‘Beat’ Takeshi Kitano, including A Scene at the Sea (1991), Sonatine (1993), Kids Return (1996), Hana-bi (1997), Kikujiro (1999), Brother (2000), and Dolls (2002), and for the video game series Ni no Kuni. He was a student of anime composer Takeo Watanabe.
In 1983, Hisaishi was recommended by Tokuma, who had published Information, to create an image album for Hayao Miyazaki’s animated film Nausicaä of the Valley of the Wind. It was the first of many of Miyazaki’s films Hisaishi would score. (Their collaboration has been compared to that of director Steven Spielberg and composer John Williams.)
In 1985, Hisaishi founded his own recording studio, Wonder Station. In 1986, he scored Laputa: Castle in the Sky for Miyazaki’s newly established Studio Ghibli; then in the 1990s, scored the Ghibli films Porco Rosso and Princess Mononoke. Hisaishi’s compositions (including eight theatrical films and one OVA) become well known as a style associated with early anime. He also composed for such TV and movie hits as Sasuga no Sarutobi, Two Down Full Base, Tonde Mon Pe and the anime Tekuno porisu 21C (all 1982), Oz no mahōtsukai (1982), Sasuraiger (1983), Futari Taka (1984), and Honō no Alpen Rose (1985). He also scored the sci-fi adventure series Mospeada (1983). Other films he scored included, Birth (Bāsu) (1984), Arion (1986), Robot Carnival (1987), My Neighbor Totoro (1988), Crest of the Royal Family (1988), Venus Wars (1989), Kiki’s Delivery Service (1989) and Ocean Heaven (2010). He also did theme-song arrangements and composed other anime opening, closing, and insert title theme songs such as Mahō Shōjo Lalabel (1980), Hello! Sandybell (1981), Meiken Jolie (1981), Voltron (1981), Ai Shite Knight (1983), Creamy Mami, the Magic Angel: Curtain Call (1986), and Kimagure Orange Road: The Movie (1988).
In 2001, Hisaishi produced music for another Kitano film, Brother, and Hayao Miyazaki’s animated film Spirited Away. The opening theme to this film, One Summer’s Day, had great popularity, with over 62 million Spotify streams as of March 2024. He also executive-produced the Night Fantasia 4 Movement at the Japan Expo in Fukushima 2001. On October 6, he debuted as a film director in Quartet, having also written its music and script; it received excellent reviews at the Montreal World Film Festival. His first soundtrack for a foreign film, Le Petit Poucet, was released the same year.
Miyazaki film Howl’s Moving Castle was released on November 20, 2004, in Japan. Its main theme, Merry-Go-Round, became Hisaishi’s most commercially successful movie score, with over 87 million Spotify streams as of March 2024. From November 3 to 29, 2004, Hisaishi embarked on his “Joe Hisaishi Freedom – Piano Stories 2004” tour with Canadian musicians. In 2005, he composed the soundtrack for the Korean film Welcome to Dongmakgol (웰컴 투 동막골), and participated in Korea’s MBC drama series The Legend (태왕사신기 “The Story of the First King’s Four Gods”), released in 2007.
