“Summer in the City” is a song by the American folk rock band the Lovin’ Spoonful. Written by John Sebastian, Mark Sebastian and Steve Boone, the song was released as a non-album single in July 1966 and was included on the album Hums of the Lovin’ Spoonful later that year. The single was the Lovin’ Spoonful’s fifth to break the top ten in the United States, and the only one by the group to reach number one. A departure from the band’s lighter sound, the recording features a harder rock style.
While most songs about summer romanticise warm weather, the lyrics of “Summer in the City” lament the heat of the daytime. The combined unpleasantness of the daytime heat and noise are directly contrasted with the relief offered by night time, whose cooler temperatures allow for city nightlife to begin, consisting in dancing and finding dates. Sadness returns again when the singer complains that the days in the city cannot be like the nights.
John Sebastian reworked the lyrics and melody of “Summer in the City” from a song written by his teenage brother Mark. Boone contributed the song’s bridge while in the studio. The Lovin’ Spoonful recorded “Summer in the City” in two sessions at Columbia Records’ 7th Avenue Studio in New York in March 1966. Erik Jacobsen produced the sessions with assistance from engineer Roy Halee, while Artie Schroeck performed as a session musician on a Wurlitzer electric piano. The recording is an early instance in pop music of added sound effects, made up of car horns and a pneumatic drill to mimic city noises.
Karma Sutra Records released “Summer in the City” as a single on July 4, 1966. The single’s release corresponded with a record heat wave in New York City – peaking in June and July at 102 °F (39 °C) and 90 °F (32 °C) in August – and came shortly after a similar heat wave experienced by Britain in the end of June.] An advertisement promoting the single was published in the July 2 issue of Billboard magazine, promising it would “capture the feel … of Summer in the City”. Author Jon Savage compares the ad’s imagery, which depicts three silhouetted black boys playing with a fire hydrant, to that of a riot in Chicago’s West Side which began on July 12 after police stopped young blacks from using a fire hydrant to cool off.
“Summer in the City” has since received praise from several music critics and musicologists for its changing major-minor keys and its inventive use of sound effects. The song has been covered by several artists, including Quincy Jones, whose 1973 version won the Grammy Award for Best Instrumental Arrangement and has since been sampled by numerous hip hop artists.
