Dorothy Louise Porter Wesley was a librarian, bibliographer and curator, who built the Moorland-Spingarn Research Centre at Howard University into a world-class research collection. She was born Dorothy Louise Burnett in 1905 in Warrenton, Virginia, the first of four children of Doctor and Mrs. Hayes J. Burnett. They encouraged their children to become educated and to serve their race. Porter received a B.A. in 1928 from Howard University, a historically black college. During this time, she met James Amos Porter, an art historian and instructor in Howard’s art department. They married in 1929, while she completed post-graduate work. She studied at Columbia University, earning B.S. in 1931 and M.S. in 1932 in library science.
By her married name of Porter, she was appointed in 1930 as the librarian at Howard University. Over the next 40 years, she was key to building up what is now the Moorland-Spingarn Research Centre at the university as one of the world’s best collection of library materials for Black/Africana history and culture. Because of her limited budget, she appealed directly to publishers and book dealers to donate specific books to the library. She developed a worldwide network of contacts that reached from the US to Brazil, Mexico and Europe. Her friends and contacts included Alain Locke, Rayford Logan, Dorothy Peterson, Langston Hughes, and Amy Spingarn. The collection is international, with books and documents in many languages. It includes music and academic studies on linguistics, as well as literature and scholarship by and about Black people in the United States and elsewhere. In addition, she was instrumental in ensuring scholars, such as Edison Carneiro, and statesmen, such as Kwame Nkrumah and Eric Williams, visited the university to increase students’ interest in their African heritage.
Burnett developed a new cataloging system for the growing collection, as well as expertise to assess the materials. Earlier librarians, notably Lula V. Allen, Edith Brown, Lula E. Connor and Rosa C. Hershaw, had started to develop a system suitable for the library’s materials. Porter built on this to highlight genre and authors rather than to use the conventional Dewey Decimal System, which lacked appropriate class-marks. All of the libraries that Porter consulted for guidance relied on the Dewey Decimal Classification. “Now in [that] system, they had one number—326—that meant slavery, and they had one other number—325, as I recall it—that meant colonization,” she explained in her oral history. In many “white libraries,” she continued, “every book, whether it was a book of poems by James Weldon Johnson, who everyone knew was a black poet, went under 325. And that was stupid to me.” Consequently, instead of using the Dewey system, Porter classified works by genre and author to highlight the foundational role of black people in all subject areas.
When Arthur Springarn agreed to sell his private collection to Howard University, the university’s treasurer required an external appraisal of its value, stating that Porter’s estimate would be over the value of the collection. Although Porter requested someone from the Library of Congress to do this, they acknowledged that they lacked expertise in the subject area. They asked her to write the report, which they certified and signed. This report was accepted by the university treasurer. This estimate set the standard for appraising collections of black literature. She became the first African American to receive a library science degree from Columbia University. Porter published numerous bibliographies on African American history.