Arthur Blake, known as Blind Blake, was an American blues and ragtime singer and guitarist. Little is known of Blake’s life. Promotional materials from Paramount Records indicate he was born blind and give his birthplace as Jacksonville, Florida, and it seems that he lived there during various periods. He may have had relatives in Patterson, Georgia. Some authors have written that in one recording he slipped into a Geechee dialect, suggesting a connection with the Sea Iskands. Blind Willie McTell indicated that Blake’s real name was Arthur Phelps, but later research has shown this is unlikely to be correct. In 2011, a group of researchers led by Alex van der Tuuk published various documents regarding Blake’s life and death in the journal Blues & Rhythm. One of these documents is his 1934 death certificate, which states he was born in 1896 in Newport News, Virginia, to Winter and Alice Blake (his mother’s name is followed by a question mark). Nothing else is known of Blake until the 1920s, when he emerged as a recording musician.
Blake recorded about 80 tracks for Paramount Records from 1926 to 1932. He was one of the most accomplished guitarists of his genre and played a diverse range of material. He is best known for his distinctive guitar playing, which was comparable in sound and style to ragtime piano. He may have lived in Jacksonville, going to Chicago for his recording sessions. According to van der Tuuk et al., he returned to Florida for the winter. In the 1930s he was reported to be playing in front of a Jacksonville hotel.
Blake’s first recordings were made in 1926, and his records sold well. His first solo record was “Early Morning Blues”, with “West Coast Blues” on the B-side. Both are considered excellent examples of his ragtime-based guitar style and were prototypes for the burgeoning Piedmont blues. Blake made his last recordings in 1932; his career ended with Paramount’s bankruptcy. Stefan Grossman and Gayle Dean Wardlow have suggested it is possible that only one side of Blake’s last record is actually by him; “‘Champagne Charlie Is My Name’ does not sound like Blake’s playing or singing.”
His complex and intricate fingerpicking inspired Reverend Gary Davis, Ry Cooder, Ralph McTell, David Bromberg, Leon Redbone and many others. Big Bill Broonzy, hearing Blake in person in the early 1920s, said of his guitar playing “He made it sound like every instrument in the band- saxophone, trombone, clarinets, bass fiddles, pianos- everything. I never had seed then and I haven’t to this day yet seed no one that could take his natural fingers and pick as much guitar as Blind Blake.” The track “You Gonna Quit Me” from Bob Dylan’s 1992 album Good as I Been to You is a cover of Blind Blake’s “You Gonna Quit Me Blues.”
Blake married Beatrice McGee around 1931. In the following year he made his final recording at the Paramount headquarters, in Grafton, Wisconsin, just before the label went out of business. In April 1933, he was hospitalized with pneumonia and never fully recovered. On December 1, 1934, after three weeks of decline, Beatrice Blake summoned an ambulance. He had a pulmonary haemorrhage and died on the way to the hospital.
