“John Barleycorn” is an English/Scottish folk song listed as number 164 in the Roud Folk Song Index. John Barleycorn, the eponymous protagonist, is a personification of barley and of the alcoholic beverages made from it: beer and whisky. In the song, he suffers indignities, attacks, and death that correspond to the various stages of barley cultivation, such as reaping and malting.
The song may have its origins in ancient folklore, with written evidence of the song dating it at least as far back as the Elizabethan era. The oldest versions are Scottish and include the Scots poem “Quhy Sowld Noght Alane Honorit Be”. In 1782, the Scottish poet Robert Burns published his own version of the song, which influenced subsequent versions.
The song survived into the twentieth century in the oral folk tradition, primarily in England, and many popular folk revival artists have recorded versions of the song. In most traditional versions, including the sixteenth century Scottish version entitled Alan-a-Maut, the plant’s ill-treatment by humans and its re-emergence as beer to take its revenge are key themes.
In their notes to the Penguin Book of English Folk Songs (London, 1959), editors A.L. Lloyd and Ralph Vaughan Williams ponder whether the ballad is “an unusually coherent folklore survival” or “the creation of an antiquarian revivalist, which has passed into popular currency and become ‘folklorised'”. It has been theorised that the figure could have some relation to the semi-mythical wicker man ritual, which involves burning a man in effigy.
Kathleen Herbert draws a link between the mythical figure Beowa (a figure stemming from Anglo-Saxon paganism that appears in early Anglo-Saxon royal genealogies whose name means “barley”) and the figure of John Barleycorn. Herbert says that Beowa and Barleycorn are one and the same, noting that the folksong details the suffering, death, and resurrection of Barleycorn, yet also celebrates the “reviving effects of drinking his blood”.
Many field recordings of the song were made of traditional singers performing the song, mostly in England. In 1908, Percy Grainger used phonograph technology to record a Lincolnshire man named William Short singing the song; the recording can be heard on the British Library Sound Archive website. James Madison Carpenter recorded a fragment sung by a Harry Wiltshire of Wheald, Oxfordshire in the 1930s, as well as another version probably performed by a Charles Phelps of Avening, Gloucestershire. The Shropshire singer Fred Jordan was recorded singing a traditional version in the 1960s.
