The Flash Mob

A flash mob (or flashmob) is a group of people who assemble suddenly in a public place, perform for a brief time, then quickly disperse, often for the purposes of entertainment, satire, and artistic expression. Flash mobs may be organized via phone, social media or viral emails. The first flash mobs were created in Manhattan in 2003, by Bill Wasik, senior editor of Harper’s Magazine. The first attempt was unsuccessful after the targeted retail store was tipped off about the plan for people to gather. Wasik avoided such problems during the first successful flash mob, which occurred on June 17, 2003 at Macy’s department store, by sending participants to preliminary staging areas—in four Manhattan bars—where they received further instructions about the ultimate event and location just before the event began.

More than 130 people converged upon the ninth floor rug department of the store, gathering around an expensive rug. Anyone approached by a sales assistant was advised to say that the gatherers lived together in a warehouse on the outskirts of New York, that they were shopping for a “love rug”, and that they made all their purchase decisions as a group. Subsequently, 200 people flooded the lobby and mezzanine of the Hyatt hotel in synchronized applause for about 15 seconds, and a shoe boutique in SoHo was invaded by participants pretending to be tourists on a bus trip.

Wasik claimed that he created flash mobs as a social experiment designed to poke fun at hipsters and to highlight the cultural atmosphere of conformity and of wanting to be an insider or part of “the next big thing”. The Vancouver Sun wrote, “It may have backfired on him … [Wasik] may instead have ended up giving conformity a vehicle that allowed it to appear nonconforming.” In another interview he said “the mobs started as a kind of playful social experiment meant to encourage spontaneity and big gatherings to temporarily take over commercial and public areas simply to show that they could.

In 19th-century Tasmania, the term flash mob was used to describe a subculture consisting of female prisoners, based on the term flash language for the jargon that these women used. The 19th-century Australian term flash mob referred to a segment of society, not an event, and showed no other similarities to the modern term flash mob or the events it describes.

In 1973, the story “Flash Crowd” by Larry Niven described a concept similar to flash mobs. With the invention of popular and very inexpensive teleportation, an argument at a shopping mall—which happens to be covered by a news crew—quickly swells into a riot. In the story, broadcast coverage attracts the attention of other people, who use the widely available technology of the teleportation booth to swarm first that event—thus intensifying the riot—and then other events as they happen. Commenting on the social impact of such mobs, one character (articulating the police view) says, “We call them flash crowds, and we watch for them.” In related short stories, they are named as a prime location for illegal activities (such as pickpocketing and looting) to take place. Lev Grossman suggests that the story title is a source of the term “flash mob”

Flash mobs began as a form of pereformane art. While they started as an apolitical act, flash mobs may share superficial similarities to political demonstrations. In the 1960s, groups such as the Yippies used street theatre to expose the public to political issues. Flash mobs can be seen as a specialized form of smart mob, a term and concept proposed by author Howard Rheingold in his 2002 book Smart Mobs: The Next Social Revolution.

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